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Reed College, 3203 SE Woodstock

3203 SE Woodstock Boulevard
Portland, OR 97202, US (map)

Future events happening here

  • - No events -

Past events that happened here

  • Started Monday
    Jan 15 2018
    Martin Luther King, Jr. Day of Community Engagement

    Martin Luther King, Jr. Day of Community Engagement:
    Activism and Empowerment Across Mediums

    Students, faculty, and staff are invited to join SEEDS and the Multicultural Resource Center for our annual Dr. Martin Luther King Jr. Day of Engagement! Events will take place Monday, January 15th, 2018 (the Monday of Paideia).

    Programming includes SEEDS community engagement events, a performance, a panel on activism across mediums, and visual art and writing workshops open to Black and Brown Reed students and high school students. All events are coordinated with and co-sponsored by SEEDS and the Multicultural Resource Center.

    More info about these events: http://www.reed.edu/seeds/volunteer/mlk-day.html

    Those who would like to participate in off-campus community engagement events can choose from three opportunities:

    Please RSVP using this form: https://tinyurl.com/ReedMLKDay1

    • Folks who express interest via above link will be contacted when it's time to register for the event.
    • Priority given to certified Reed van drivers willing to drive.
    • Snacks & transportation provided!

    Visit our website (http://www.reed.edu/seeds/volunteer/mlk-day.html) and see event posters in discussion for more info.

    Questions? Contact Tara Sonali Miller (millert@reed.edu) or Ruby White (rwhite@reed.edu).

    Website
  • Wednesday
    Nov 8 2017
    Men Engaging Now: Open Meeting

    Following our Engaging Men Conference we are holding an open meeting where we will discuss moving forward with Men Engaging Now and ways to be involved. All are welcome!

    VOLLUM COLLEGE CENTER ROOM 120

    Website
  • Friday
    Nov 3 2017
    Reed College Performing Arts: Citizen
    through
    Reed College, 3203 SE Woodstock
    • By Claudia Rankine
    • adapted for the stage by Stephen Sachs
    • Directed by Catherine Ming T’ien Duffly

    Citizen blurs the boundaries of performance and poetry. The performance examines the ways racism pervades daily life in America, from highly visible news accounts to the daily microaggressions that render certain citizens invisible in our culture.

    The production is produced in collaboration with Reed English professor, Samiya Bashir’s course, “Poetry in and through Performance."

    Website
  • Friday
    Oct 27 2017
    Framing the Trap. bart fitzgerald

    home school is excited to host an artist talk by local artist, thinker, and party visionary bart fitzgerald! Join us on 27 Oct at the Reed College Chapel, 6-8p for "Framing the Trap: Postmodern Aesthetics, Themes and Theories from the Trap." This talk is facilitated in collaboration with Stephanie Synder, director of the Cooley Gallery. Snacks and refreshments will be available courtesy of Reed College. This talk will be streamed live online for remote viewers.


    Framing the Trap further explores the theoretical claims made throughout bart fitzgerald’s recent works around trap music -- its sonic histories, relation to the black church and spirituality, and postmodern aesthetic practices. fitzgerald seeks to situate Trap Music within conversations around the longstanding tradition of sound in the black radical tradition.

    bart fitzgerald explores black sociality, religion and queerness through a lens of liberation theology as base ideology for radical living. They make work as a visual artist, writer, lecturer and curator of vibrant life for black folks in Portland, OR. Their work has been presented at Reed College, Newspace Center for Photography, Portland African American Leadership Forum, Black Lives Matter: Portland and The Portland Institute for Contemporary Art (PICA). They have received commissions and funding from c3:initiative, Regional Arts & Culture Council, The Urban League of Portland, and numerous local and national organizations. Most recently, they were selected as a recipient of the Ford Family Foundation’s Golden Spot Award that is granted in connection with an artist residency at Caldera Arts Center in Sisters, OR.

    Website
  • Friday
    Oct 20 2017
    Rejoice: Diaspora Dance Theater presents Uprise
    through
    Reed College, 3203 SE Woodstock

    Rejoice! Diaspora Dance Theater presents UPRISE
    Oct. 20-22nd Reed College
    Tickets: Tickets : https://www.eventbrite.com/e/rejoice-diaspora-dance-theater-presents-uprise-tickets-37097396311

    Rejoice! Diaspora Dance Theater presents UPRISE an evening of choreographic premiers by Oluyinka Akinjiola, Michael Galen and Jamie Minkus, with musical guest Amenta Abioto October 20-22nd at Reed College. UPRISE features a body of choreographic works addressing power, oppression, and community. Inspired by Angela Davis’ desire to see liberation movements become intersectional, we are bringing expression to the many ways race, class, culture, and history influence power.

    Funding and support from the Regional Arts and Culture Council, the Oregon Arts Commission and Reed College.

    “There is a reclaiming of power when we value aesthetics from the African Diaspora. Our bodies and our stories are inseparably political.”
    Oluyinka Akinjiola, Artistic Director

    Website
  • Saturday
    Oct 14 2017
    Engaging Men Conference

    THIS EVENT HAS BEEN RELOCATED TO VOLLUM COLLEGE CENTER AT REED COLLEGE .

    All are welcome to this conference, which aims to re-examine masculinity to end gender-based violence.

    Workshops include:

    • Nuts and Bolts of Engaging Men: Tips and Tricks
    • Patriarchy 101
    • Parenting Feminist Boys
    • Relationships and Masculinity
    • Social Media as a Prevention Tool
    • Engaging Men Who Have Been Abusive
    • Intro to Gender-Diversity & Trans Identities
    • Mindful Self-Compassion
    • Cultural Humility and Culturally-specific Work to Engage Men in Ending GBV
    • How Activist Communities Can Engage Their Own Communities
    • Ending GBV is Men’s Work: How Male Allies can Frontline the - Fight Against Systems of Oppression

    No one turned away due to lack of fund. Register and payment information here: https://www.ywcapdx.org/engaging-men-conference-2017/

    Suggested payment rates range from $7-$25


    Men Engaging Now
    Organization · Portland, Oregon
    Men Engaging Now (MEN) encourages men to end gender-based violence. We work together across the gender continuum to promote equity so all people are free.

    YWCA of Greater Portland
    Nonprofit Organization · Portland, Oregon
    The YWCA of Greater Portland’s mission is to eliminate racism, empower women, and promote peace, justice, freedom and dignity for all.

    Raphael House of Portland
    Organization · Portland, Oregon
    Listen. Believe. Speak out.

    Website
  • Friday
    Sep 15 2017
    Nat Turner revival: sermon on the mount

    Join home school on 9/15 at ELIOT 314 @ Reed College, 630-830p for a talk by local curatorial duo Nat Turner Project (Melanie Stevens and maximiliano)! As always, this talk is free and open to the public. We'll stream online for remote viewers, and snacks and refreshments will be available.

    Nat Turner Project allows artists of color to go beyond the usual initial expositions inherent in presenting art borne of marginalized perspectives to a dominant culture; allowing artists of color freedom to create or express their own language within and without the parameters of racial commodification or designation. NTP creates an environment of inclusivity, a communal harbor for artists previously silenced by institutional constraints, and actively provides priority spaces to artists of color; allowing others the privilege of viewership from an outsider role. Nat Turner Project, not just a name, but a statement of artistic freedom.


    Melanie Stevens is an artist, illustrator, and writer. She is co-founder and co-curator of Nat Turner Project. She is the creator of the graphic novel Black Picket Fences and the co-founder, editor, and an instructor of Miss Anthology, an organization that supports and publishes racially and economically diverse young comic artists who identify as female or genderqueer. Stevens received her Bachelor of Arts degree in political science from Yale University and her Masters of Fine Arts degree in visual studies from the Pacific Northwest College of Art.

    maximiliano makes art in the trap. PERFORMANCE x VIDEO x POETRY x COLLABORATION. maximiliano’s practice explores diaspora, the multiplicity of identity, ritual x mythos, brujerix, healing of trauma, the body, and black sovereignty x autonomy. They are one half of Cvllejerx, a performance x fashion collaboration, and are recipients of the Andy Warhol Foundation and Precipice (2016). Nat Turner Project: a radical art space are C3 initiative artists-n-residence for 2017. maximiliano recieved their MFA from the Pacific Northwest College of Art in 2017. They have performed, exhibited, and curated at S1, Disjecta, Gallery 114; C3 Initiative, and UNA Gallery in Oklahoma, Texas, and Washington.


    This talk is part of home school’s 2017 curriculum in conjunction with the Cooley Gallery exhibition (self), on view from August 29 through October 1, 2017.

    For the Cooley exhibition, the Nat Turner Project has created a special research library accompanied by a video chronicle of their first exhibition season. Join us for the opening of (self) on September 13, 3–7 pm, at the Cooley. (self) is part of the Portland Institute for Contemporary Art’s 2017 Time-Based Art Festival and is curated by Stephanie Snyder and Samiya Bashir.

    The Cooley will also host another home school talk as part of (self) public programming on 9/8, Aria Dean's "Notes on Blaccelerationism" -- https://www.facebook.com/events/111660309533357/

    Website
  • Thursday
    Sep 14 2017
    Liberation Literacy "Attica" Documentary Screening

    Liberation Literacy presents Attica, a 1974 documentary about the inmate uprising at Attica State Prison in 1971. This documentary explores the Prison Industrial Complex and its many methods of oppression at Attica.

    MOVIE HAS BEEN MOVED TO PSYCHOLOGY ROOM 105 at Reed College.
    There will be refreshments!
    $5 Suggested donation, no one turned away for lack of funds.

    All proceeds go to Liberation Literacy, a prison reading group that focuses on social justice literacy. Liblit seeks to redefine the relationship between incarceration, our community, and ourselves. For more info: http://liberationliteracy.weebly.com/

    This event is open to the public and ADA accessible. Invite your friends!

    Content Warning: Violence, death, nudity

    Website
  • Friday
    Sep 8 2017
    Aria Dean: Notes on Blaccelerationism

    Join us in PSYCH 105 at Reed College for the next home school talk of 2017! Aria Dean joins us remotely to deliver "Notes on Blaccelerationism." As usual, we will livestream the talk for remote viewers, and we'll have snacks and refreshments for local audience!


    First of all, these are notes toward a blaccelerationism. This is not a Theory of Blaccelerationism. It is not a Black Accelerationism, that is: a ‘black perspective on accelerationism,’ nor is it an accelerationist theory of blackness. Nor is it a critique of accelerationism from the position of blackness or black studies.

    This is an experiment with the claim that accelerationism has always already existed in the territory of blackness whether it knows it or not. It speaks what has already been spoken, and - however non-consensually - breeds thoughts together to illuminate what already is and has always been possible.

    And, of course, we enter knowing that if you lie down with dogs you might rise with fleas.


    ARIA DEAN is an artist, writer, and curator based in Los Angeles, CA. She currently holds the position of assistant curator of net art & digital culture at Rhizome. Her writing has been featured in Artforum, Art in America, The New Inquiry, Real Life Magazine, Topical Cream Magazine, Mousse Magazine, CURA Magazine, and X-TRA Contemporary Art Quarterly. She has exhibited at Arcadia Missa (London), Knockdown Center (NY), and Chateau Shatto (LA) among other venues. Dean has spoken at the New Museum, UCLA, The New School, and Machine Project. She also co-directs Los Angeles project space As It Stands LA.


    This talk is part of the home school 2017 curriculum, which is funded by a Regional Arts and Culture Council project grant. This talk is also part of the public programming for (self), an exhibition at the Cooley Gallery at Reed College, curated by Stephanie Snyder and Samiya Bashir.

    Website
  • Thursday
    Apr 13 2017
    Immigration Workshop

    Thursday, April 13 - 4 PM - Eliot 314

    All community members are invited to a presentation reviewing the current state of immigration policy, and information and guidelines for emergency preparedness. The presentation will be followed by an open question and answer.

    Presented by the Multicultural Resource Center

    Website
  • Tuesday
    Apr 11 2017
    Rewriting the Immigration Narrative

    What does it mean for Reed College to be a sanctuary institution? How do you currently contribute or wish to contribute to a safe space for undocumented students?

    Join us for dinner to deconstruct mainstream narratives of immigrantion and to debunk common misconceptions about undocumented immigrants. We will discuss immigration as an urgent human rights issue, especially given how the political climate has exacerbated tension toward undocumented immigrants. Our talk will conclude with an anti- ICE action plan.

    This talk is good prep for the MRC's Immigration Workshop held this Thursday. (April 13)

    Website